Marcel Khalifé was born on June 10, 1950 in Amchit, Lebanon. He studied the Oud (the Arabic lute) at the Beirut National Conservatory of Music and graduated in 1971, and, ever since, has been injecting a new life into the Oud.
From 1972 to 1975, Marcel Khalifé taught at the Beirut National Conservatory of Music, public Universities and other local private music institutions. During that same period, he toured the Middle East, North Africa, Europe and the United States giving solo performances on the Oud.
Oud playing was traditionally constrained by the strict techniques that governed its playing. Highly talented and skillful musicians such as Marcel Khalifé were, however, able to free the instrument from those constraints and thus greatly expanding its possibilities.
In 1972, Marcel Khalifé created a musical group in his native village, Amchit, with the goal of reviving its musical heritage and the Arabic chorale. The first performances took place in Lebanon. 1976 saw the birth of Marcel Khalifé's Al Mayadine Ensemble. Enriched by the previous ensemble's musical experiences, Al Mayadine's notoriety went well beyond Lebanon. Accompanied by his musical ensemble, Marcel Khalifé began a lifelong far-reaching musical journey, performing in Arab countries, Europe, the United States, Canada, South America, Australia, and Japan.
Marcel Khalifé has been invited several times to festivals of international fame such as: Baalbeck, Beit Eddine (Lebanon), Carthage, El Hammamat (Tunisia), Timgad (Algeria), Jarash (Jordan), Arles (France), Krems, Linz (Austria), Bremen (Germany), Re Orient (Sweden), Pavia (Italy), World Music Festival in San Francisco, New York, Cleveland (USA), Wellington Music Festival (New Zealand) and the Fes Festival of World Sacred Music in Morocco.
He has performed in such prestigious halls as the "Palace of Arts" in Montreal, "Symphony Space" and "Merkin Concert" in New York, "Berklee Theatre" and "New England Conservatory" in Boston, the Kennedy Center in Washington, DC, "Royal Festival Hall", and "Queen Elizabeth Hall" in London, "UNESCO Palace" of Beirut, Cairo Opera House (Egypt), "Reciprocity", "House of the Cultures of the World" and "UNESCO Hall" in Paris, "Central Dionysia" in Rome, "Yerba Buena" in San Francisco, "Sodra Teatern" in Stockholm, "Bozar" in Brussels, Royal Tropical Institute in Amsterdam, Konzerthaus in Berlin, "Detroit Symphony Hall" in Detroit, "Sydney Opera House", "The Arts Centre" in Melbourne, Australia, “The Champs Elysees Theater” in Paris and the “Teatro Alla Scalla Milano” in Italy.
He has also composed several purely instrumental works like The Symphony of Return, Sharq, Concerto Al Andalus- Suite for Oud and Orchestra, Mouda'aba (Caress), Diwan Al Oud, Jadal Oud duo, Oud Quartet, Al Samaa in the traditional Arabic forms and Taqasim, duo for oud and dtivals of international fame such as: Baalbeck, Beit Eddine (Lebanon), Carthage, El Hammamat (Tunisia), Timgad (Algeria), Jarash (Jordan), Arles (France), Krems, Linz (Austria), Bremen (Germany), Re Orient (Sweden), Pavia (Italy), World Music Festival in San Francisco, New York, Cleveland (USA), Wellington Music Festival (New Zealand) and the Fes Festival of World Sacred Music in Morocco.
He has performed in such prestigious halls as the "Palace of Arts" in Montreal, "Symphony Space" and "Merkin Concert" in New York, "Berklee Theatre" and "New England Conservatory" in Boston, the Kennedy Center in Washington, DC, "Royal Festival Hall", and "Queen Elizabeth Hall" in London, "UNESCO Palace" of Beirut, Cairo Opera House (Egypt), "Reciprocity", "House of the Cultures of the World" and "UNESCO Hall" in Paris, "Central Dionysia" in Rome, "Yerba Buena" in San Francisco, "Sodra Teatern" in Stockholm, "Bozar" in Brussels, Royal Tropical Institute in Amsterdam, Konzerthaus in Berlin, "Detroit Symphony Hall" in Detroit, "Sydney Opera House", "The Arts Centre" in Melbourne, Australia, “The Champs Elysees Theater” in Paris and the “Teatro Alla Scalla Milano” in Italy.
He has also composed several purely instrumental works like The Symphony of Return, Sharq, Concerto Al Andalus- Suite for Oud and Orchestra, Mouda'aba (Caress), Diwan Al Oud, Jadal Oud duo, Oud Quartet, Al Samaa in the traditional Arabic forms and Taqasim, duo for oud and double bass which was awarded the Grand prize of the prestigious Charles Cros Academy in France in November 2007. One of his recent works, Sharq, a choral symphonic composition was performed by the Italian Philharmonic Orchestra and the Piacenza Choir. His latest work, “Arabian Concerto”, premiered at the Qatar Philharmonic Orchestra inaugural concert and was performed at the Kennedy Center in Washington, DC and the Champs Elysees Theater in Paris.
Marcel Khalifé's compositions have been performed by several orchestras, notably the Kiev Symphony Orchestra, the Academy of Boulogne Billancourt Orchestra, The San Francisco Chamber Orchestra, the Orchestra of the city of Tunis, the Royal Liverpool Philharmonic Orchestra, the Italian Philharmonic Orchestra, the Royal Oman Symphony Orchestra and the "Absolute Ensemble".
Since 1982, Marcel Khalifé has been writing books on music that reflect his avant garde compositions and the maturity of his experience. He published Al Samaa, a collection of compositions for various traditional Arab musical instruments (1981), a six part methodology for the study of the Oud (1982), and Arabic Music-Theory and Practice (French Edition, 1984), Jadal oud Duo (1996), OUD (1997), Andalusian Suite for oud and Orchestra (2002).
His challenges, however, are not only musical in character. Interpreter of music and Oud performer, he is also a composer who is deeply attached to the text on whiouble bass which was awarded the Grand prize of the prestigious Charles Cros Academy in France in November 2007. One of his recent works, Sharq, a choral symphonic composition was performed by the Italian Philharmonic Orchestra and the Piacenza Choir. His latest work, “Arabian Concerto”, premiered at the Qatar Philharmonic Orchestra inaugural concert and was performed at the Kennedy Center in Washington, DC and the Champs Elysees Theater in Paris.
Marcel Khalifé's compositions have been performed by several orchestras, notably the Kiev Symphony Orchestra, the Academy of Boulogne Billancourt Orchestra, The San Francisco Chamber Orchestra, the Orchestra of the city of Tunis, the Royal Liverpool Philharmonic Orchestra, the Italian Philharmonic Orchestra, the Royal Oman Symphony Orchestra and the "Absolute Ensemble".
Since 1982, Marcel Khalifé has been writing books on music that reflect his avant garde compositions and the maturity of his experience. He published Al Samaa, a collection of compositions for various traditional Arab musical instruments (1981), a six part methodology for the study of the Oud (1982), and Arabic Music-Theory and Practice (French Edition, 1984), Jadal oud Duo (1996), OUD (1997), Andalusian Suite for oud and Orchestra (2002).
His challenges, however, are not only musical in character. Interpreter of music and Oud performer, he is also a composer who is deeply attached to the text on which he relies. In his association with great contemporary Arab poets, particularly Palestinian poet par excellence, Mahmoud Darwish, he seeks to renew the character of the Arabic song, to break its stereotypes, and to advance the culture of the society that surrounds it.
Marcel Khalifé's lyrical and instrumental recordings add up to more than 20 albums and DVDs, Promises of the storm (1976), Rain Songs (1977), Where from, do I Enter the Homeland? (1978), Weddings (1979), At the Borders (1979), Stripped Bare (1980), Happiness (1981), The Bridge (1983), Collections - 3 Albums (1984), Dreamy Sunrise (1984), Ahmad Al Arabi (1984), Peace Be With you (1989), Ode To A Homeland (1990), Arabic Coffeepot (1995), Jadal Oud Duo (1996), Magic Carpet (1998), Concerto Al Andalus (2002), Caress (2004), Voyageur DVD (2004), Taqasim (2007), Sharq CD & DVD (2007).
On his journey, Marcel Khalifé invents and creates original music, a novel world of sounds, freed of all pre-established rules. This language elevates him to the level of an ambassador of his own culture and to the vanguard of Arabic music in search of innovators.
In June 2005 Marcel Khalifé was named UNESCO Artist for Peace for his artistic achievement and humanitarian contributions.
In 2008, Marcel Khalifé helped in the establishment of the Qatar Philharmonic Orchestra (QPO) and was named as its music director and resident composer.ch he relies. In his association with great contemporary Arab poets, particularly Palestinian poet par excellence, Mahmoud Darwish, he seeks to renew the character of the Arabic song, to break its stereotypes, and to advance the culture of the society that surrounds it.
Marcel Khalifé's lyrical and instrumental recordings add up to more than 20 albums and DVDs, Promises of the storm (1976), Rain Songs (1977), Where from, do I Enter the Homeland? (1978), Weddings (1979), At the Borders (1979), Stripped Bare (1980), Happiness (1981), The Bridge (1983), Collections - 3 Albums (1984), Dreamy Sunrise (1984), Ahmad Al Arabi (1984), Peace Be With you (1989), Ode To A Homeland (1990), Arabic Coffeepot (1995), Jadal Oud Duo (1996), Magic Carpet (1998), Concerto Al Andalus (2002), Caress (2004), Voyageur DVD (2004), Taqasim (2007), Sharq CD & DVD (2007).
On his journey, Marcel Khalifé invents and creates original music, a novel world of sounds, freed of all pre-established rules. This language elevates him to the level of an ambassador of his own culture and to the vanguard of Arabic music in search of innovators.
In June 2005 Marcel Khalifé was named UNESCO Artist for Peace for his artistic achievement and humanitarian contributions.
In 2008, Marcel Khalifé helped in the establishment of the Qatar Philharmonic Orchestra (QPO) and was named as its music director and resident composer.